Pinch & Shackleton

Pinch and Shackleton – experts of low frequencies

Dub-step is confidently making its way all around the globe and that is definitely getting more popular. Electronic music has always been in the center of attention, and one of the main concepts of that style is a wish to experiment with the sound. Thereby, a number of directions and variations of electronica is constantly growing. Dub-step appeared in the very end of the previous century; however the young genre needed some years to begin its victorious march acros all countries of Earth. It is notable that this original style was born in London, which once again proved the status of that megapolis as a world’s capital of progressive music. Rob Ellis, better known as Pinch, and Sam Shackleton established themselves a good and respectable reputation of real masters of electronic genres of music. Moreover, many people actually agree that it was Pinch who sparked interest of general public to dub-step back in 2008. At least to its kind, which is so popular nowadays. While Sam Shackleton’s creativity can be hardly well-described – one must simply feel it. Thus, all the lovers and connoisseurs of music that specializes on low frequencies got a wonderful reason for joy in 2011, because Pinch and Shackleton decided to work together. It was rather difficult to imagine, what these artists will get as a result of their collaboration. Finally the official release of their studio attempt titled Pinch & Shackleton took place. Let us try to understand, what the musicians prepared to listeners.

The offbeat long play Pinch & Shackleton

The record Pinch & Shackleton included only nine compositions, nevertheless their total length is almost an hour. This way, the long play actually turned out to be of a great volume – in all the meanings and aspects. Pinch and Shackleton are called masters of low frequencies for a good reason indeed. These musicians really feel the bass and they can easily move it to the right direction. It is very easy to make sure of it, just choose the first track Cracks In The Pleasuredome and push the play button. Its basis is nothing but the bass, which was surrounded by all the other elements. That song is followed by not less atmospheric number titled Jellybones, and it feels that it delivers some tension. Torn And Submerged keeps on developing the theme of uncertainty: the artists’ creation cannot be clearly described as a dub-step act or any traditional electronica number. There is no doubt that it is something bigger, with the unique attitude and substandard approach. Sometimes the album’s tracks let us know that they consist of some strange sounds, which are somehow taken into one thing. It may be a regulated chaos, if you like it this way. And for a party that long play probably will not be an excellent choice, but listening to it solo will sure bring a lot of positive emotions and surprises.

Dark album from the British musicians

Lovers of original music will enjoy the creation of Pinch and Shackleton. Low frequencies and incredible atmosphere will hardly leave anyone unfazed: Pinch & Shackleton is that kind of album that people will love or they will not love, there is no other option. Sticky, almost substantial atmosphere of a long play will find its listeners, while lucky owners of high class acoustic systems will be able to enjoy it properly. It is not quite clear if the effect from Pinch & Shackleton will be achieved when one will listen to it in the headphones on the road to work or studying. But it is pretty clear that the album will open all its resources only during the careful and thoughtful listening. This music demands understanding, and maybe the first acquaintance with that studio attempt will not bring the enjoyment in a truly full volume. However the music lovers, who had already had a chance to get to know Rob Ellis and Sam Shackleton’s creativity, know perfectly that Pinch & Shackleton is quite a notable and loud event in the world of electronic music.